In the midst of emotionally felt beauty

"I borrowed from the library the book Rahvaan puku (the costumes of old times) and there in the beginning was a picture where there were two women, one watched from the back like a modern (maybe murderer) handiwork oriented woman, and the other one like an old times all the time with beautiful nature associating, hand completely different, like Indian, the beuty of berries, sometimes admired clothes too, in the midst of atmospheric beauty all the time, having meaningful profound wisdom and it's looks in beauty having as main themes in her living environment, as if it were her skill, her inclination in life like the fascination of old paintings was for some famous painters, like agriculture for a farmer who lives in a fine way meaningful life.So what is this beauty, how to find it and how to keep in it it's meaningfulness, just it's profound wisdom, in it's varied richness and not just in it's single forms. Some points about this I know, but I cannot the whole thing. A large part of the fascination is in the varied beauty of the living environment, in the meaningfullness of it's chores, in the ages old wisdom which the living environment and the way of life have. But on the other hand there is something of the same in the good quality of one's own approach, in that one is not exhausted but like with the fascination of a new beginning, like a young adult sometimes when pondiring about one's possibilities in life, or like a person when getting older and finding one's own roads and own loves, the many of them, and stabilizing them to be one's home.
When we start a new thing that we are fascinated about, for a moment the world is full of possibilitiers. If we after that moment keep a small pause before the moment has passed, we cab at the same time dream and do something else for a moment: the rythm of life becomes like an edging path, things done varied, the energy of the beginning has the strenght to carry things done to good quality and common sense together with eagerness and touch with many areas of life brings good quality to one's understanding: to here I create my own road. At the same time touch with the reality brings strenght of character: now I have to try my best, oh that was just like that and these are fine and shoudl I hurry there, what if I continue this to ready when I have time and energy for it what would I read etc.

   Because an atmosphere is all perceptions, feelings with their meaningfulness, philosophy, context etc together, the sense of atmospheres is teh jkey to understanding the profound meaningfulness of things: the group of all our perceptions sets each phenomenom to it's right most meaningful place in the whole, if we just understand ideals, that means the level the meaning fulness of of the wholes and an ages old way of life, well enough all the way to our life in practise.

 One can learn profound wisdom about the world and about living in the world, when one in the midst of nature looks at the nature landscape at the same time as one thinks of life. So the big questions one things about objectively get compared with the tru´nks and branches of trees, and so via the sense of atmospheres and the sense of structures and by noticing how feelings connect with each thing and teöö about their place in the world and in human lives, one can then objectively reach some more profound view about life and the world, about living in the world according to one's ages old nature, even if one ordinarily did not know suchj.

So here the idea isn't to watch the picture, but instead the text has been born as an association to it, so it is not a description of the picture but instead a description of an idea and an advice about that to the rest of one's life, even if the woman in the picture would not have had that skill.

"

From my blog http://tunteetjatekemisentapa.blogspot.fi